Series Offer A More Authentic And Expansive Way To Tell Stories Says Krishna DK

Krishna DK or DK, the other half of the creative duo Raj & DK, has played a crucial role in the transformation of Indian digital entertainment. Known for his keen understanding of story arcs, character development, and genre experimentation, DK’s filmmaking style has brought a unique blend of realism, humor, and drama to the OTT world. His journey from making feature films to becoming a pioneer in web series is a testament to his passion for exploring new storytelling avenues and his adaptability as a filmmaker.

 

Looking back at their journey, DK shares, "We grew as filmmakers with each new project." His partnership with Raj has allowed him to experiment with new genres and formats, helping them create some of the most beloved and successful web series in Indian entertainment. "We tried different genres, experimented with fresh spins, and found there were no limits to what we could do," DK says. This openness to innovation and his willingness to step outside the conventional boundaries of filmmaking have made him a driving force behind their success.

 

One of the defining moments in DK’s career came when he and Raj decided to pivot from feature films to the OTT space. "At that point, feature films were struggling to get funded, and we realized that a series could offer a more authentic and expansive way to tell stories," DK explained. The decision to dive into web series came at a time when the format was still relatively new, but the duo saw an opportunity to create content that could resonate more deeply with audiences. This bold move paid off with The Family Man, which catapulted DK and Raj into the spotlight and made them two of the most sought-after creators in the OTT world.

 

For DK, the thrill of working in the digital space lies in the ability to tell stories without the constraints of traditional cinema. "We’ve fallen in love with OTT," he admits. The flexibility that digital platforms offer allows him to explore a wider range of themes, characters, and genres than he ever could in feature films. He humorously adds, "I just wish there were a better term for it—let’s call it ‘longer cinema’," suggesting his belief that web series are a new, evolving form of cinema in their own right.

 

DK’s journey in the world of OTT is defined by his creativity, risk-taking, and commitment to exploring new ways of storytelling. With each new series, he has redefined what is possible within the format, proving that digital storytelling can be as rich and diverse as traditional cinema. As he continues to innovate and expand the boundaries of web series, DK remains a key player in the growth and evolution of Indian OTT content.

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