Film: V
Starring: Nani, Sudheer Babu, Nivetha Thomas, Aditi Rao Hydari
Director: Mohana Krishna Indraganti
Rating: **1/2
Reviewer: George Sylex
Overview - V, a Telugu crime action thriller and grudge film (Nani's 25th film) is good on its style, comic elements, and a touch of butchery. Truly, a portion of the visuals makes you a smidgen awkward. The movie guided by Mohana Krishna Indraganti attempts to pack in all the components that regularly establish a decent masala thriller. It prevails at certain levels yet is unsurprising from numerous points of view.
The plot rotates around a cop and an executioner who insults him with hints and catch-me-on the off chance that you-can lines. Who is V and for what reason does he submit these killings? What's more, for what reason does he pick Adithya to impart these to and insult, when it could have been some other official; even a one higher in rank? Up until now, so good. A twofold homicide inside the initial 20 minute sets up the beat, be that as it may, the chief neglects to use this beginning and attempts to get such numerous components and closures together as a Hollywood wannabe variant of a wrongdoing thriller. You likewise have a Da Vinci style images being left at the crime scene.
Strikingly, the movie has been written and directed by Mohana Krishna Indraganti, who merits major praise for his composing style. It is to be noticed that Aditi Rao Hydari who has lesser screen-timing than the other three characters, has been given colossal significance, on account of the content that makes her resemble the spirit of the film. Indraganti has likewise kept a sheer harmony between feelings like activity, dramatization, and romance. Though the maker has composed the screenplay absolutely to catch the enthusiastic profundity of every single character, at hardly any spots the film appeared to be very unsurprising and free.
Nani is the greatest resource of the film. His character makes you laugh with its dry humor and leaves you shocked by its mercilessness. Sudheer Babu is acceptable as Adithya, however, has a somewhat one-dimensional character that is not really energizing. Consistency is the greatest disappointment of this film from Mohana Krishna Indraganti. You realize what precisely to expect after a specific timeframe, in any event, its essential significance. Nivetha Thomas' character of a crime writer who investigates on insane people is barely investigated. It is a colossal let-down since Nivetha illuminates the screen without fail. The journalists have made a genuine endeavor to have each feeling that makes up a business spine chiller. Additionally, the way wherein the main men, Adithya, a top cop, and Vishnu, an Army official charm their ladies may appear to be somewhat ungentlemanly for a few.
The subsequent half is the place the film goes for a throw. When it returns into the flashback mode, things become moderate, and routine scenes are exhibited at a stretch. One can without much of a stretch theory that Nani is doing this with an adage and along these lines, his portrayal looks frail. Both the affection tracks of Nani and Sudheer Babu is dull and executed in a pale manner. All the individuals who think there will be strong turns will be mixed up as the story is a normal retribution show with a straight forward and unsurprising plot. Additionally, the beginning of the film is somewhat delayed as the producers burn through an excessive amount of time to get into the real story.
Mohanakrishna Indrganthi has taken a total abandon his typical movies, and astonishments with V. Despite the fact that his story is standard, the manner in which his screenplay runs the principal half was very acceptable. However, seems as though he ran out of thoughts in the subsequent half and made things normal, dull, and surged. On the off chance that he would have dealt with a decent wind at long last, things would have been something else. Amit Trivedi's music is alright however Thaman's score is far and away superior. His score for all the rushes and tense minutes is amazing. The stars have been structured beautifully and particularly, Nani. The verses for all the tunes are excellent and the art heading is astonishing.
Final Word — V is a drawing in film, however it is exceptionally unsurprising. The climax of the film ruined the whole desires into ashes. Truly! There are rushes, action, and great visuals, anyway the latter half of the film isn't up to the beginning level. Yet, at the same time, there is a one-time watch tag for Nani fans.
A One-time Watchable for Nani Fans!
