Film: "Shubh Mangal Zyada Saavdhan"
Cast: Ayushmann Khurrana, Jitendra Kumar, Neena Gupta, Gajraj Rao, Manurishi Chaddha
Director: Hitesh Kewalya
Rating: ***
Reviewer: George Sylex
Overview - Directed Hitesh Kawalya has attempted to explore new territory in his film dependent on homosexuality titled Shubh Mangal Zyada Saavdhan. The film is a spin-off to the 2017 movie Shubh Mangal Saavdhan and stars Ayushmann Khurrana, Jitendra Kumar, Gajraj Rao, and Neena Gupta. The tale of this comedy dramatization is basic — two men experience passionate feelings for one another with a desire of getting married.
Story - Kartik (Ayushmann Khurrana) and Aman (Jitendra Kumar) are seen running for a unique train 'Vivah Express' as they present their biography finishing up it with "mein bhaag raha hoon". Both are enamored however Aman is hesitant to expose the unadulterated truth. Kartik chooses to join Aman and his family for a wedding occurring in Allahabad. Aman's dad Shankar Tripathi (Gajraj Rao) gets them two in the act of kissing, and he begins heaving. Presently, Shankar knows this mystery and how he intends to spare the wedding alongside realizing that his child is gay is a significant subplot in the subsequent half. Its remainder is about how the family responds to Aman's admission and whether he winds up with Kartik.
The film beginnings off on an amusing note and the subplot of dark cauliflower seems entertaining. Devika's (Bhumi Pednekar) scene also adds to the good times. The scene where Shankar Tripathi finds the darlings kissing cuts the house down. Scenes like Aman kissing Kartik in full general visibility and Aman conversing with his folks about dopamine and other such stuff prop the enthusiasm up. Post interim, be that as it may, the film drops. The scenes should be clever yet don't make you chuckle. Additionally, it turns out to be excessively long-winded and unconvincing. The producers attempt their best to make things intriguing yet, it doesn't work.
Ayushmann Khurrana amazingly isn't in his typical form. His screen time is constrained. Jitendra Kumar fits the job and not many of his scenes in the main half are great. Gajraj Rao and Neena Gupta spare the film from slipping into obscurity. Their comic-timing and long stretches of experience figure out how together scarcely any snickers to a great extent. Maanvi Gagroo's character exists since they needed to show somebody's wedding in the family. The content experiences no change evens with her nonappearance. Pankhuri Awasthy (Kusum) is very entertaining. Maanvi Gagroo raises not many snickers. Neeraj Singh (Keshav) is watchable.
Full stamps to Hitesh Kewalya for the easy direction and composing. The exchanges are engaging and infused with humor. Indeed, even with an assortment of characters and circumstances. The screenplay moves at an ideal pace. The film's music by Tanishk Bagchi and Tony Kakkar is energetic and functions admirably with the content. With genuine areas and able mood melodies, editing by Ninad Khanolkar is to the point and lovely. Additional imprints to Chirantan Das for the delightful cinematography.
Overall - Hitesh Kewalya made a hilarious film by getting such an issue and made it a fine bit of art blended in with social responsibilities. This is another beginning of normalizing the taboos. What's more, this is the acceptable commercial movie which managed a gay romantic tale.
