Film: Naan Sirithal
Cast: Hiphop Tamizha Adhi, K.S. Ravikumar, Munishkanth
Director: Raana
Rating: **1/2
Reviewer: George Sylex
Overview - Naan Sirithal is the big-screen film adaptation of Raana's own short film Kekka Bekka Kekka Bekka. Hiphop Tamizha Adhi assumes the job of Gandhi, and consistent with his name, he is a peaceful individual. He builds up a one of a kind quality of giggling at whatever point he gets apprehensive or feels tragic, and that flips around his life. How he figures out how to leave these issues shapes the remainder of the film.
Analysis - The film settles just on the exceptional state of Gandhi, which works till the start of the subsequent half. Notwithstanding the amusing satire punches by the supporting cast, headed by a spectacular Badava Gopi and Munishkanth, the procedures become unsurprising and tedious. Yogi Babu's presentation towards the last parts additionally flavors things up a smidgen, however, it doesn't offer you anything over a couple of rib stimulating minutes. Iswarya Menon as Ankitha is available all through the film, however, she doesn't offer much since her character doesn't have a lot of degrees.
What works best in 'Naan Sirithiaal' is the last 30 minutes which contains a couple of chuckle commendable scenes and is scandalous as well. The scenes wherein Aadhi roars with laughter to enthusiastic scenes of Vijay and Ajith and the responses of their fans are really clever. The dad's child holding among Aadhi and Badava Gopi is a treat to watch. The message that Aadhi conveys in the end however strange has a ring of truth which the whole film needs.
A couple of the parody scenes work because of its droll execution. What doesn't work is the many equal stories and feelings meshed into the content. Gandhi is, simultaneously, an entertaining person, somebody whom we should giggle at, take feel sorry for with, feel friendly about, tune in to for his insight and considerably more. That makes Gandhi somebody we just couldn't think about. His enduring doesn't evoke compassion out of us.
Hip Hop Aadhi's melodies are foot-tapping yet are embedded arbitrarily and sound comparative as well. The camera and altering leave a great deal to be wanted. Raana a partner of Shankar has attempted to change over his generally welcomed short film into a component however poor composition and execution have let him down. The diversion components are there yet there is an absence of a durable story to bundle them.
Overall - Naan Sirithal is plain on substance and its execution isn't extraordinary as well. The film is watchable for Hip Hop Thamizha fans.
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