Cast: Akshay Kumar, Riteish Deshmukh, Bobby Deol, Kriti Sanon, Kriti Kharbanda, Pooja Hegde, Boman Irani, Chunky Pandey
Direction: Farhad Samji
Rating: **1/2
Reviewer: George Sylex
Housefull 4, regardless of whether it is directed by Sajid Khan or Farhad Samji doesn't make a difference here. The past Housefull movies have been panned for the most part by film experts yet continued to gather together millions in the film world. Housefull 4, also, regardless of my review could well make it into the big crore club or increasingly, just in light of the fact that it heaves the proportional absurd condition of whimsical parody.
Practically all comic franchisee in Bollywood like Golmaal, Dhamaal, Masti attempts different ideas in their spin-offs despite the fact that it's terrible. This time Housefull is an epic resurrection farce influences between 1419 Sitamgarh and present-day London where three kin Harry (Akshay Kumar), Roy (Riteish Deshmukh) and Max (Bobby Deol), are set to marry three rich and gorgeous sisters Kriti Sanon, Pooja Hegde and Kriti Kharbanda. When Harry comprehends that he is truly Prince Bala Dev Singh who was set to marry Princess Madhu (Kriti Sanon) in his past image, it is reliant upon him to convince his kin and their life accomplices of their past characters, to ensure they all get hitched to their fondness from the past.
Housefull 4's first half dives more into the period piece, where Harry's past birth, the uncovered sovereign Bala Dev Singh, gets removed from his domain for plotting to slaughter his father. Regardless of the way that the makers' point of looking at period film and parody sort is superb, the execution by somehow misses to disentangle it on screen. The individual characteristics of these characters are not enhanced by a tight screenplay, in this way the jokes are less charming. In the ensuing half, Harry attempts to rouse the past memories inside each character.
The film work to a degree due to the 'parody of mix-ups' that develop between characters. However, this film takes an overabundance of time and executes it through a tangled screenplay. Housefull has some indecent preoccupation, like the hilarious movie references and the stretch where Pappu (played by Rana Daggubati) inadvertently bargains the youngsters with a qawwali melody.
As usual Akshay Kumar crowds by far most of the spotlight, and pigs for scarcely anything shots including a considered again befuddlement, it is Riteish Deshmukh who has the most grounded impact. His 'Bandgu Maharaj' is maybe the sharpest character created in Bollywood's joke factory. Bobby Deol's flight on his father Dharmendra's Dharamveer never takes off. He looks redirected and depleted. Concerning the youngsters, Kriti Sanon being joined with Akshay Kumar gets more film than the other two driving ladies who are inconsequential spots in the comic universe.
Overall, Housefull 4 is a forgettable section that endeavors to bite off past what it could chew. Housefull 4 is weak in the entire franchise and there's certainly no peculiarity or innovative personality anytime. The makers need simply enormous measures of money, that they will get from this film. I hope the next Housefull series will be a horror-comedy.